Concert of J. Brahms for violin and orchestra in the embodiment of the ideas of protoneoclassicism

The purpose of the article is to study stylistic phenomenon proto-neoclassicism in post-romantic art last third XIX century and recognize those features Brahms Violin Concerto. methodological basis work intonation approach B. Asafyev's school Ukraine, which proceeds from sacred unity music words, giving birth historical-comparative, hermeneutic, bibliographic research methods, presented works O. Markova, Muravska, Roschenko. etc. scientific novelty due originality problem post-Romantic era, as well fact that for first time musicology Ukraine China this perspective considered Concerto J. Brahms. Conclusions. Baroque borrowings, natural Romanticism, are filled with superpersonal lyricism polyphonic texture space second half nineteenth century, provoking genre solution parts cycle separation drama elaboration sonata indicators composition. These interpretation concert can be found analyzed Brahms, we terminologically distinguish Brahms.
 Key words: Brahms' proto-neoclassicism, twentieth-century neoclassicism, Biedermeier, romanticism, style music.